I think it was the killer basslines that hooked me in and the attitude as much as anything.
When I first moved to Wellington in 1980 I guess I was still writing folk songs. Louise and I had found work at the Art Centre and I felt under pressure to write.
That first Specials album was a killer – every track, every instrument.
Wellington had its own kind of …
Keep reading with a 7-day free trial
Subscribe to Sounds Good! to keep reading this post and get 7 days of free access to the full post archives.