Moritz Von Oswald Trio
Sounding Lines
Honest Jon’s Records
I expected to dig the new Moritz Von Oswald Trio album – because I spent a bit of time with 2012’s Fetch and liked the murky worlds of throbbing synth/bass-lines as a kind of post-techno, post-nightclub late night soak of sound. But I didn’t anticipate would be the album I’d have trouble taking off
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