Masayoshi Fujita
Apologues
Erased Tapes
A shade-cloth of sound, draped over a movie that isn’t actually there – to hang as perceptual/perpetual soundtrack and softening hue, this is the second solo album by Fujita, the second set of pieces to combine a classical composer’s approach with that of a jazz improviser. Here, again, is Fujita on the vibraphone, t…
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